I was reading the Montepaschi thread and ...
Well OK, I hate sprinters with a passion. Those riders who only make a true effort for 250m after staying peacefully in the peloton all day long.
Yet, I've watched my first Milan Sanremo in 1992 at age 8. Kelly won. In those days, nobody could have thought it would once finish with a sprint. No way in hell !
1997 was a big shock. And yet, in 1998, the sprint could have been avoided if Colombo didn't chase Elli for Zabel (bribe?). In 1999, sprint was avoided. So it all started in 2000.
How to explain all these sprints in the noughties? I guess we'd have to go to the clinic section.
By the way I've started this thread, last year (I feel strongly about this): http://forum.cyclingnews.com/showthread.php?t=6415
Here are some quotes by all time greats (that I translated myself from French or Dutch into English), truly depicting what this great classic is all about. I'd take Milan Sanremo over Flanders any freaking day.
Eddy Merckx - Plus d'un tour dans mon sac : mes carnets de route de 1972 - Arts & Voyages, 1972
Eddy Merckx - Mes 50 victoires en 1973 - Arts & voyages, 1973
Laurent Fignon - Nous étions jeunes et innocents - Grasset 2009
Eddy Merckx - Tout Eddy (Stéphane Thirion) - Jourdan 2006
All by Eddy Merckx to Philippe Brunel in Vélo Magazine #472, March 2010
Eddy Merckx - De Flandriens (the book corresponding to the TV program) - Canvas / Borgeroff & Lambrechts 2010
Roger De Vlaeminck - De Flandriens (the book corresponding to the TV program) - Canvas / Borgeroff & Lambrechts 2010
Cesare Del Cancia (1937 winner and still alive !!!!) to Benjo Maso - De Klassieker - LJ Veen 2011
Libertine Seguros said:If Milan-San Remo is a hilly classic because it has Cipressa and Poggio di Sanremo, then Liège-Bastogne-Liège is a cobbled classic for the two tiny sections of them.
Well OK, I hate sprinters with a passion. Those riders who only make a true effort for 250m after staying peacefully in the peloton all day long.
Yet, I've watched my first Milan Sanremo in 1992 at age 8. Kelly won. In those days, nobody could have thought it would once finish with a sprint. No way in hell !
1997 was a big shock. And yet, in 1998, the sprint could have been avoided if Colombo didn't chase Elli for Zabel (bribe?). In 1999, sprint was avoided. So it all started in 2000.
How to explain all these sprints in the noughties? I guess we'd have to go to the clinic section.
By the way I've started this thread, last year (I feel strongly about this): http://forum.cyclingnews.com/showthread.php?t=6415
Here are some quotes by all time greats (that I translated myself from French or Dutch into English), truly depicting what this great classic is all about. I'd take Milan Sanremo over Flanders any freaking day.
In the first kilometers of the Poggio, I increased the speed to test the sprinters. They were still all there: Sercu, Verbeeck, De Vlaeminck, Leman, Basso. All in all, the distance (288km) was my main ally. […] I went for it leading in the descent. In the first turn, raging Motta and Wolfshohl got the inside but in the 5th turn I went back didn’t look back again. […]
I was sure of myself, very fresh, and under these conditions, piloting was perfect. Absolute control is required.
Eddy Merckx - Plus d'un tour dans mon sac : mes carnets de route de 1972 - Arts & Voyages, 1972
In the climbing of the Poggio, Frans Verbeeck and Régis Ovion did a great job but when I saw De Vlaeminck passing first on the top, I believed in his chances. He sure must have made a great descent and take all the risks he needed to escape the way he did. […]
When a descent like that of the Poggio di Sanremo, is situated in the very last kilometers of the race, you have to accept risks. However, you can only do it if you’re fresh.
De Vlaeminck, sure, was, at the end of this close to 300km race (a distance that is rarely reached in modern classics).
Eddy Merckx - Mes 50 victoires en 1973 - Arts & voyages, 1973
He (Gallopin) started to make me think I could win Milan Sanremo. I first found the idea ludicrous. […] But Gallopin who started to know by heart my qualities and my weaknesses […] knew as well as I did that I needed a lot of kilometers in order to make my physique work. The 294 of Milan Sanremo, then, demanded unfailing stamina to which you had to add undeniable punching skills in the last 10km with the passing of the Poggio. Gallopin repeated it to me: “it’s for you, believe me.”
Laurent Fignon - Nous étions jeunes et innocents - Grasset 2009
Milan Sanremo can still be won in the Poggio and, most of all, in the descent. […] The Poggio comes up after 285km of racing: you need to be fresh, clear-minded, not just fast.
Eddy Merckx - Tout Eddy (Stéphane Thirion) - Jourdan 2006
It wrongly has that reputation [of being a race for sprinters]. I won it 7 times and I was not a sprinter, not more than Zabel or Cancellara. […] In the Primavera, the distance worked like a steamroller and my main rivals didn’t have the resistance that I acquired during the Six-Days [the true ones, not the modern ones]. I was better prepared than Gimondi, Godefroot, De Vlaeminck or Janssen. I could be beaten in a sprint after 200km but not after 280km because I managed to maintain the same standard when the others declined, this is why I could make the difference in the Poggio. […]
In Paris-Nice[1966] I was beaten by Durante in a 150k stage. Hence I wasn’t favourite but I managed to get back with Poulidor in the Poggio. Durante was there too. And there I beat him. The distance worked but also the Via Roma which suited me and it’s eyewash slope. […]
I didn’t like the Tour of Flanders too much. It’s a nice classic, made for the specialists with it’s climbs ridden sprinting, its turns which spared recovery times. The “Ronde” was too slow, and not hard enough. I needed 20 to 30km more to make the difference. […] I preferred fast races with high average speed which killed the riders, just like the Primavera, where you have to ride 50kmh during 30km in the wind, without braking and without lifting your head. In the end it’s exhausting.
All by Eddy Merckx to Philippe Brunel in Vélo Magazine #472, March 2010
In the Tour of Flanders, the climbs are so short that the sprinters can often come back. Besides, in my time there were fewer climbs. In Paris-Roubaix, the cobbles really make it hard but it’s also turning, re-starting from standstill or sort of. I liked races with longer climbs better or races such as Milan Sanremo, with kilometers long straight lines and a high speed. Then I was still fresh enough for a powerful attack in the final kilometers
Eddy Merckx - De Flandriens (the book corresponding to the TV program) - Canvas / Borgeroff & Lambrechts 2010
Tour of Flanders and Paris-Roubaix are certainly the most beautiful races. I find the Tour of Lombardy and Milan Sanremo more beautiful.
Roger De Vlaeminck - De Flandriens (the book corresponding to the TV program) - Canvas / Borgeroff & Lambrechts 2010
In Milan Sanremo, it’s all about shape. The beginning is easy but then we’re racing very hard. Then comes the first climb and the descent to the coast. Most of the time, it still goes very fast then and if you’re not in top form, you’re dead after 200km. But then you still have to do 80km…
Cesare Del Cancia (1937 winner and still alive !!!!) to Benjo Maso - De Klassieker - LJ Veen 2011