Create some drama in the beginning, but maintain suspense until the last third. That works in movies as well as in racing.
But it would still be better than if the top favourite created a five minute gap on stage 1. To mention the opposite absurd example.
I don't know. It's two evils. GC battles are simply boring when one rider is very dominant. I try to find other aspects of the race that I can get excited about. At the moment, the sprinters are quite even, so that's a good thing, although sprint stages are low on drama (I don't sit and watch a sprint stage from start to finish - who does?).
A five minute gap from stage 1 may well be boring, but there are enough counterexamples in history of a seemingly comfortable appointed winner with a sizable lead then collapsing or becoming vulnerable later on in the race. And not just the cases of guys like Isidro Nozal and Ben O'Connor, but examples like Simon Yates in the 2018 Giro or Primož Roglič suffering the consequences of Visma's "minimise gains today to maximise losses tomorrow" strategy in the 2020 Tour. Christ, we just saw it happen in the 2025 Giro not two months ago. Hell, there's always the chance of a crash, an illness or a 1999 Pantani or 2007 Rasmussen incident to come up, which isn't the case in the "no action to hold tension until the last day" example.
GC battles can be boring when one rider is dominant, true - but then there are examples like the 2011 Giro which was relatively well received despite the ease of Contador's (on-the-road) victory. But saying "GC battles can be boring when one rider is dominant" is not a justification for having no GC battle at all, solely for the purpose of delaying when the GC battle starts
just in case one rider or team is dominant. Because then if one rider or team
is dominant, you end up with the 2004 or 2009 Tours, and get the worst of both worlds. And if no rider or team is dominant or the big anticipated stars all crash out before the battlegrounds arrive like in the 2014 Tour, you just shot yourself in the foot in terms of the spectacle.
Nobody is saying that we need to have a Mont Ventoux MTF or a Sestrières 1992 monolith on stage 3 or anything. But there's a reason for the "sort the contenders from the pretenders" climb in week 1 usually - you know, the reason why Red Rick has praised the first weeks that had the much-reviled Planche des Belles Filles. Because for whatever its issues may be in terms of overuse and saturation (and the unnecessary extension), in that role as a week 1 leg-tester, meaning that the GC guys need to manage form for three weeks rather than one-and-a-bit, it was well-suited. The gaps it creates are not so big they are unrecoverable, but the time gaps are solid, usually 30-45 seconds for the top 10 or so, and it enables riders who don't have the form to recalibrate their goals, or riders who are targeting the second half of the race to approach it from a deficit. That's actually been done just fine this year with the ITT, the only problem is that the only remaining TT is an MTT, and that ITTs are, unfortunately, just not as good a spectacle with audiences as mass start GC stages, which has been part of the reason for their marginalisation in recent times.
I know there's not a lot you can do about the geographical limitations of France, with Nord being far from any mountain ranges and with the route going anticlockwise towards Brittany, you're left a long way from mountains at that stage, but pacing the race so that you have two pan-flat transitional stages - and the two least interesting designs of the whole week - on weekend days is a massive own goal; while the summer location and proximity to Bastille Day helps with the domestic audience, the weekend days are the best captive audience days for the worldwide audience, and serving up the absolute dreck (seriously, ASO have actually been doing pretty well in terms of maximising their flat and hilly stages in recent years, but they put the absolute dirt worst of them on the days with the highest audience share, and then go full shocked Pikachu face when audiences dip out to watch something like the Giro Donne, Formula E, Moto GP or the Wimbledon finals instead, the dedicated audience flicks back in for the last half hour or so, and they can't hold the casual audience's interest the way they can on mountain stages.