Stage 4: Artemisa - Matanzas (Ermita de Monserrate), 180km
GPM:
Peña del León (cat.3) 1,1km @ 6,1%
Loma del Pocito (cat.3) 1,0km @ 5,5%
Loma del Pocito (cat.3) 1,0km @ 5,5%
The fourth stage of the race also maybe “strictly speaking” counts as a hilly stage, but it isn’t really; this is far more a flat stage with a couple of bumps in it that more accurately fits the bill of what we might expect from racing in Cuba - lots of flat stages through the centre of the country where the race designers have to work hard to come up with ways to create intrigue. We’re still west of Havana at the start, but the stage will pass across to the south of the capital and we will commence our long run eastward through the flatlands and rolling low hills that characterise this part of the island’s geography.
The city of Artemisa is also relatively young, having been founded officially in 1818 from a cluster of settlements set up following the relocation of a number of families displaced by a fire in Havana in 1802. Its official name appears to be from the Greek goddess, though Artemisia is typically preferred in nomenclature; it was also consolidated inadvertently in the late 19th Century following the policies of Spanish colonial Valeriano Weyler, who pacified the Cuban nationalist Rebellion of the time by separating rebels from civilians, forcing the concentration of the civilian population into small urban clusters and practising scorched earth to starve the rebels out from their rural hideouts; this policy greatly increased the population of Artemisa, but it also led to rampant disease and starvation among the urban population. Nowadays, Weyler’s Reconcentración policy is viewed as a direct precedent of the British Boer War strategies that themselves served as a predecessor to concentration camps, and his successes were only pyrrhic; he crushed the Cuban Rebellion but at the cost of alienating the population and turning international opinion against Spain, and he was recalled to Spain in 1897. The city played an important role in the Revolution too, with close Castro ally Ramiro Valdés being from the city, a Politburo member from 1965 to his retirement in 2021 at the age of 89, and a two-time Minister of the Interior. Artemisa nowadays is best known as the “Jardín de Cuba” thanks to its coffee crops and its agrarian landscape, thanks to its fertile red soil.
Central Artemisa
Artemisa only appeared in the 2000s Vuelta a Cuba as a stage start, invariably in a stage to Pinar del Río, but in the original incarnation of the race it was not an infrequent sight to see a stage finish in the city; Vladimir Poulnikov is probably the most well-known name of those to have raised their arms in victory in Artemisa. This one is going to be more suited for the rouleurs than the first two road stages for most of its duration, heading through the flatlands of the suburban area around Havana; our first notable stop-off is San António de los Baños, a city of 50.000 people linked to Havana by the Autopista del Mediodía, which has an enduring connection to the visual arts; the painter and satirical cartoonist Eduardo Abela was born in the city, as was the actress Blanquita Amaro, who performed prolifically in Argentine films through the country’s own golden age of cinema in the 1940s and 1950s, before becoming a television presenter and star in Panama in the 1960s. It is also the home of the Escuela Internacional de Cine y TV, a school of cinematic and televisual theory and practice which was founded by the local film directors Julio García Espinosa and Tomás Gutiérrez Alea in collaboration with the Argentine poet Fernando Birri and the Colombian writer Gabriel García Marquez, and its alumni span the film industries all over the Hispanic world, not just in Central and South America but also in Spain itself. The next stop is Bejucal, the terminus of the first ever railroad in Cuba, and home to one of the oldest carnivals in Cuba and, formerly, Soviet nuclear missiles. And, briefly, for the first five years of his life, the actor Andy García, who has become an esteemed veteran of the film industry and although he has never won at these, he has been nominated for both Oscars and Golden Globes and at times served as an unofficial spokesperson against the Cuban government from afar.
Rolling slight uphill follows before the first intermediate sprint in San José de las Lajas; the capital of Mayabeque province, home of 80.000, and crossed through the centre by the Carretera Central. The next section is again undulating, between San José and Jaruco, an area I initially had been exploring for a potential stage host, however the only paved road that climbs this mini-range at steeper than 3,5% is only accessible by a long unpaved section. As a result we simply traverse this for some rolling false flat up to the high point of the Escaleras de Jaruco range, which is another popular day trip retreat for the people of Havana, offering clean air and water and stunning views down to the north coast.
We don’t go all the way to the north coast here, though, turning eastward after San António de Río Blanco, across to the Sierra de Camarrones, another low lying range which serves as a retreat. At the top of the Sierra lies the Comunidad Peña del León, and the road that runs to this (slightly below actually, because the last part is a dead end) gives us our first categorised climb of the day, just over 1km at just over 6% - so maybe some of those riders who only got the same points for the cat.3 ascents in stages 2 and 3 might feel a bit aggrieved! - before some flat and downhill false flat into Aguacate, and 30km of flat terrain that takes us to our stage town of Matanzas.
View from the Sierra de Camarrones
Capital of its own eponymous province, Matanzas is known as the City of Bridges as it sits at the mouth of a bay where three different rivers drain into the sea, resulting in a large number of bridges spanning these and connecting the sections of the city. Originally founded as San Carlos y San Severino de Matanzas (Matanzas meaning “massacre”, after an early 16th Century - and possibly apocryphal - incident where Spanish soldiers attempting to attack an aboriginal camp were betrayed and drowned by seemingly complicit native fishermen) late in the 17th Century, it was settled primarily by people from the Canary Islands and developed for the sugar industry which then saw extensive import of African slaves to work the plantations. This led to the Afro-Cuban population swelling to exceed 50% of the city’s dwellers and the city being at the centre of multiple slave revolts, most notably the Conspiración de la Escalera in 1844, the punitive punishments for which are known as the “Year of the Lash”. This cultural melting pot, however, has proven at later dates to be inspirational, with the city developing a significant connection to music and dance, being the apparent birthplace of rumba music, with many famous long-running ensembles such as Los Muñequitos de Matanzas and Sonora Matancera being based in the city, but the most famous would be the world-renowned bandleader Dámaso Pérez Prado, often just known by his surnames (always both), who started out as a pianist and arranger for the latter band but branched out on his own, popularised the mambo in the 1950s with classic interpretations of pieces like “Guaglione” and, most famously, his own oft-covered composition, “Mambo No.5”. Today, racial tensions in Matanzas are much more restrained, and in fact the city’s favourite son of recent years is one such Afro-Cuban star, the high jumper Javier Sotomayor - an Olympic champion in Barcelona and a two-time World champion in 1993 and 1997, who set the world record in 1988, and improved it twice, with his personal best being 2,45m in 1993, a record which still stands over 30 years later. Although injuries prevented his attempting to defend his crown in the Olympics, he won a silver in Athens before retiring in 2001 at the age of 34 after a positive test for nandrolone which placed some of his prior achievements under the kind of scrutiny you might expect (although it had been years since his best), though nagging injuries at the time enabled him to argue that these were the ‘real’ reason for his departure.
Matanzas also used to be a regular stop-off for the Vuelta a Cuba, often a couple of stages before the finish and with an ITT, or in the older times, three or four stages out when the race used to extend out to Pinar del Río before returning, in a reverse version of how I’ve paced my version of the race. People like Milan Jurčo, Asiat Saitov and Eduardo Alonso won here back in Ostbloc cycling days, while when the race returned in the 2000s it hosted an ITT on six occasions out of eleven editions, two of which were won by local legend Pedro Pablo Pérez, but the most recent of which, in 2007, was won by Svein Tuft, during his long stint in North American domestic cycling before founding a niche at the World Tour level in his 30s. The most recent winner in a Matanzas stage is, in fact, still a part of the present péloton, as another Canadian, Guillaume Boivin, won the road stage from the city to San António de los Baños in 2010 as a 20-year-old espoir and, although he returned to the Continental level after a run with Liquigas and SpiderTech, he has found himself at the team that is now Israel-PremierTech and become part of the furniture there, now in his 9th season with the team at age 35. Another familiar face from the present péloton was among the men he beat that day - a 21-year-old Elia Viviani can be found in 4th place on that result sheet.
For my stage, we have an intermediate sprint on our first arrival into the city, but then there are two laps of an 8,5km circuit - a fairly short one admittedly, but long enough to avoid too many issues - which take us down to the bay and then back up and around the north of the small Loma del Estero hill that overlooks the town. I am told that this is all paved now, although google’s satellite images seem to suggest that at least when those images were captured - not sure how recently this is as some areas of Cuba have seen relatively recent updates - it was still gravel between Cueva del Indio and Plaza Camilo. Either way, this allows us to get to the west of the city and into the Valle de Yumuri, which means that we have to return by way of the short dig up to a pass between the Loma del Estero and a neighbouring summit to the south; it’s certainly not the hardest climb a rider will have to face, being just 1km at 5,5% (last 400m are the steepest, though), and in many circumstances wouldn’t even merit categorisation, but since we have two laps here, cresting just 14,4km and 5,8km from the finish makes this worth giving some points for, even if only to incentivise some GPM competition to force some moves as people look for the stage win.
However, after the second time around, we head down to the bay again, crossing the intermediate sprint line that marks the start/finish of the circuit… but it’s not the finish of the stage, because instead we have something slightly different in mind. Not quite a puncheur finish, but a bit tougher than just a bunch sprint, we are climbing up to the Ermita del Monserrate, a scenic, peaceful hilltop hermitage that offers vistas over the bay and out to the Straits of Florida. Essentially, starting from Plaza de la Libertad, the finale is 2,5km that climb about 75m vertical for an average of 3%. The first part is barely perceptible, then at 1500m from the line we turn a 90º right onto Calle 306, and the gradient slowly dials up toward 5 and 6% on a long uphill grind. Then there is a curve to the left at about 450m to go, as things ease back down to around 2% before the final 150m gently curves back to the right. This one is perhaps too drawn out to be one for the pure sprinters, but at the same time is not automatically hard enough for the puncheurs. It could be a drag race sprinters can hang on for, but it’s more one for, say, Biniam Girmay, Michael Matthews or Jonathan Milan, of the top level. I see it as a comparable kind of finish to something like the uphill-but-not-too-uphill finish at the Tour de Vendée, or perhaps something like the Arcos de la Frontera stage of the 2014 Vuelta that Michael Matthews won. It’s not quite a hilly stage, but with a couple of hills - albeit easy ones - in the last 15 kilometres, and an uphill drag race that should make organised leadouts difficult, this will be a bit more than just a pure sprint. Which is just as well as we’re headed into the middle of the country now.
Matanzas, the long straight approaching the finish stretching out in front of us


GPM:
Peña del León (cat.3) 1,1km @ 6,1%
Loma del Pocito (cat.3) 1,0km @ 5,5%
Loma del Pocito (cat.3) 1,0km @ 5,5%
The fourth stage of the race also maybe “strictly speaking” counts as a hilly stage, but it isn’t really; this is far more a flat stage with a couple of bumps in it that more accurately fits the bill of what we might expect from racing in Cuba - lots of flat stages through the centre of the country where the race designers have to work hard to come up with ways to create intrigue. We’re still west of Havana at the start, but the stage will pass across to the south of the capital and we will commence our long run eastward through the flatlands and rolling low hills that characterise this part of the island’s geography.
The city of Artemisa is also relatively young, having been founded officially in 1818 from a cluster of settlements set up following the relocation of a number of families displaced by a fire in Havana in 1802. Its official name appears to be from the Greek goddess, though Artemisia is typically preferred in nomenclature; it was also consolidated inadvertently in the late 19th Century following the policies of Spanish colonial Valeriano Weyler, who pacified the Cuban nationalist Rebellion of the time by separating rebels from civilians, forcing the concentration of the civilian population into small urban clusters and practising scorched earth to starve the rebels out from their rural hideouts; this policy greatly increased the population of Artemisa, but it also led to rampant disease and starvation among the urban population. Nowadays, Weyler’s Reconcentración policy is viewed as a direct precedent of the British Boer War strategies that themselves served as a predecessor to concentration camps, and his successes were only pyrrhic; he crushed the Cuban Rebellion but at the cost of alienating the population and turning international opinion against Spain, and he was recalled to Spain in 1897. The city played an important role in the Revolution too, with close Castro ally Ramiro Valdés being from the city, a Politburo member from 1965 to his retirement in 2021 at the age of 89, and a two-time Minister of the Interior. Artemisa nowadays is best known as the “Jardín de Cuba” thanks to its coffee crops and its agrarian landscape, thanks to its fertile red soil.

Central Artemisa
Artemisa only appeared in the 2000s Vuelta a Cuba as a stage start, invariably in a stage to Pinar del Río, but in the original incarnation of the race it was not an infrequent sight to see a stage finish in the city; Vladimir Poulnikov is probably the most well-known name of those to have raised their arms in victory in Artemisa. This one is going to be more suited for the rouleurs than the first two road stages for most of its duration, heading through the flatlands of the suburban area around Havana; our first notable stop-off is San António de los Baños, a city of 50.000 people linked to Havana by the Autopista del Mediodía, which has an enduring connection to the visual arts; the painter and satirical cartoonist Eduardo Abela was born in the city, as was the actress Blanquita Amaro, who performed prolifically in Argentine films through the country’s own golden age of cinema in the 1940s and 1950s, before becoming a television presenter and star in Panama in the 1960s. It is also the home of the Escuela Internacional de Cine y TV, a school of cinematic and televisual theory and practice which was founded by the local film directors Julio García Espinosa and Tomás Gutiérrez Alea in collaboration with the Argentine poet Fernando Birri and the Colombian writer Gabriel García Marquez, and its alumni span the film industries all over the Hispanic world, not just in Central and South America but also in Spain itself. The next stop is Bejucal, the terminus of the first ever railroad in Cuba, and home to one of the oldest carnivals in Cuba and, formerly, Soviet nuclear missiles. And, briefly, for the first five years of his life, the actor Andy García, who has become an esteemed veteran of the film industry and although he has never won at these, he has been nominated for both Oscars and Golden Globes and at times served as an unofficial spokesperson against the Cuban government from afar.
Rolling slight uphill follows before the first intermediate sprint in San José de las Lajas; the capital of Mayabeque province, home of 80.000, and crossed through the centre by the Carretera Central. The next section is again undulating, between San José and Jaruco, an area I initially had been exploring for a potential stage host, however the only paved road that climbs this mini-range at steeper than 3,5% is only accessible by a long unpaved section. As a result we simply traverse this for some rolling false flat up to the high point of the Escaleras de Jaruco range, which is another popular day trip retreat for the people of Havana, offering clean air and water and stunning views down to the north coast.

We don’t go all the way to the north coast here, though, turning eastward after San António de Río Blanco, across to the Sierra de Camarrones, another low lying range which serves as a retreat. At the top of the Sierra lies the Comunidad Peña del León, and the road that runs to this (slightly below actually, because the last part is a dead end) gives us our first categorised climb of the day, just over 1km at just over 6% - so maybe some of those riders who only got the same points for the cat.3 ascents in stages 2 and 3 might feel a bit aggrieved! - before some flat and downhill false flat into Aguacate, and 30km of flat terrain that takes us to our stage town of Matanzas.

View from the Sierra de Camarrones
Capital of its own eponymous province, Matanzas is known as the City of Bridges as it sits at the mouth of a bay where three different rivers drain into the sea, resulting in a large number of bridges spanning these and connecting the sections of the city. Originally founded as San Carlos y San Severino de Matanzas (Matanzas meaning “massacre”, after an early 16th Century - and possibly apocryphal - incident where Spanish soldiers attempting to attack an aboriginal camp were betrayed and drowned by seemingly complicit native fishermen) late in the 17th Century, it was settled primarily by people from the Canary Islands and developed for the sugar industry which then saw extensive import of African slaves to work the plantations. This led to the Afro-Cuban population swelling to exceed 50% of the city’s dwellers and the city being at the centre of multiple slave revolts, most notably the Conspiración de la Escalera in 1844, the punitive punishments for which are known as the “Year of the Lash”. This cultural melting pot, however, has proven at later dates to be inspirational, with the city developing a significant connection to music and dance, being the apparent birthplace of rumba music, with many famous long-running ensembles such as Los Muñequitos de Matanzas and Sonora Matancera being based in the city, but the most famous would be the world-renowned bandleader Dámaso Pérez Prado, often just known by his surnames (always both), who started out as a pianist and arranger for the latter band but branched out on his own, popularised the mambo in the 1950s with classic interpretations of pieces like “Guaglione” and, most famously, his own oft-covered composition, “Mambo No.5”. Today, racial tensions in Matanzas are much more restrained, and in fact the city’s favourite son of recent years is one such Afro-Cuban star, the high jumper Javier Sotomayor - an Olympic champion in Barcelona and a two-time World champion in 1993 and 1997, who set the world record in 1988, and improved it twice, with his personal best being 2,45m in 1993, a record which still stands over 30 years later. Although injuries prevented his attempting to defend his crown in the Olympics, he won a silver in Athens before retiring in 2001 at the age of 34 after a positive test for nandrolone which placed some of his prior achievements under the kind of scrutiny you might expect (although it had been years since his best), though nagging injuries at the time enabled him to argue that these were the ‘real’ reason for his departure.

Matanzas also used to be a regular stop-off for the Vuelta a Cuba, often a couple of stages before the finish and with an ITT, or in the older times, three or four stages out when the race used to extend out to Pinar del Río before returning, in a reverse version of how I’ve paced my version of the race. People like Milan Jurčo, Asiat Saitov and Eduardo Alonso won here back in Ostbloc cycling days, while when the race returned in the 2000s it hosted an ITT on six occasions out of eleven editions, two of which were won by local legend Pedro Pablo Pérez, but the most recent of which, in 2007, was won by Svein Tuft, during his long stint in North American domestic cycling before founding a niche at the World Tour level in his 30s. The most recent winner in a Matanzas stage is, in fact, still a part of the present péloton, as another Canadian, Guillaume Boivin, won the road stage from the city to San António de los Baños in 2010 as a 20-year-old espoir and, although he returned to the Continental level after a run with Liquigas and SpiderTech, he has found himself at the team that is now Israel-PremierTech and become part of the furniture there, now in his 9th season with the team at age 35. Another familiar face from the present péloton was among the men he beat that day - a 21-year-old Elia Viviani can be found in 4th place on that result sheet.
For my stage, we have an intermediate sprint on our first arrival into the city, but then there are two laps of an 8,5km circuit - a fairly short one admittedly, but long enough to avoid too many issues - which take us down to the bay and then back up and around the north of the small Loma del Estero hill that overlooks the town. I am told that this is all paved now, although google’s satellite images seem to suggest that at least when those images were captured - not sure how recently this is as some areas of Cuba have seen relatively recent updates - it was still gravel between Cueva del Indio and Plaza Camilo. Either way, this allows us to get to the west of the city and into the Valle de Yumuri, which means that we have to return by way of the short dig up to a pass between the Loma del Estero and a neighbouring summit to the south; it’s certainly not the hardest climb a rider will have to face, being just 1km at 5,5% (last 400m are the steepest, though), and in many circumstances wouldn’t even merit categorisation, but since we have two laps here, cresting just 14,4km and 5,8km from the finish makes this worth giving some points for, even if only to incentivise some GPM competition to force some moves as people look for the stage win.

However, after the second time around, we head down to the bay again, crossing the intermediate sprint line that marks the start/finish of the circuit… but it’s not the finish of the stage, because instead we have something slightly different in mind. Not quite a puncheur finish, but a bit tougher than just a bunch sprint, we are climbing up to the Ermita del Monserrate, a scenic, peaceful hilltop hermitage that offers vistas over the bay and out to the Straits of Florida. Essentially, starting from Plaza de la Libertad, the finale is 2,5km that climb about 75m vertical for an average of 3%. The first part is barely perceptible, then at 1500m from the line we turn a 90º right onto Calle 306, and the gradient slowly dials up toward 5 and 6% on a long uphill grind. Then there is a curve to the left at about 450m to go, as things ease back down to around 2% before the final 150m gently curves back to the right. This one is perhaps too drawn out to be one for the pure sprinters, but at the same time is not automatically hard enough for the puncheurs. It could be a drag race sprinters can hang on for, but it’s more one for, say, Biniam Girmay, Michael Matthews or Jonathan Milan, of the top level. I see it as a comparable kind of finish to something like the uphill-but-not-too-uphill finish at the Tour de Vendée, or perhaps something like the Arcos de la Frontera stage of the 2014 Vuelta that Michael Matthews won. It’s not quite a hilly stage, but with a couple of hills - albeit easy ones - in the last 15 kilometres, and an uphill drag race that should make organised leadouts difficult, this will be a bit more than just a pure sprint. Which is just as well as we’re headed into the middle of the country now.

Matanzas, the long straight approaching the finish stretching out in front of us