- Feb 6, 2016
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Re: Re:
When I first skimmed your post, I only read the middle, and I thought initially you were writing about Romario. Thinking about this reminded me of the number 9 Ronaldo, and of Ronaldinho, and Kaka, who Tonton mentioned earlier, and thus to a point I suggest should be added to carton's remarkably good post. The parallels between Brazillian footballers and Colombian cyclists have been laid out many times; they are both (perceived as, obviously) otherwordly, exotic (but just familiar enough that they're not alienating - the names are Spanish/Portugese, after all), magical at the more ethereal and aesthetic elements of the sport (climbing and playmaker/forward), amusingly incompetent at the more grounded, gritty, physical aspects (TTing/cobbles, defending/goalkeeping - and it's a testament to the power of this myth that twenty years of bulky and dirty defensive midfielders from Dunga to Fernando, including one of the most conservative and defensive World Cup-winning teams of all time, have done very little to shake it), brought up in an environment that breeds talent (the Andes, street football), and innocent. It's those last two points I think are most significant in this context. Firstly, the view of all Colombians as brilliant pocket climbers is the one real counterweight to the prevailing narrative of cycling these days, which is one of suffering; while everyone else is a 'hard man aesthete', as carton so elegantly puts it, the Colombians descend from their exotic peaks with pure natural talent. The response of the forum to an European pro who showed immense talent but didn't keep in shape would be a collective grunt: being professional and working hard is part of being a cyclist these days, and if you can't do that it's inevitable that you'll fade away. But Betancur is granted indulgence; part of the reason for this, I suspect, is that no one follows Colombian domestic cycling, so when their riders come and shine brightly in the European scene it's more explosive and interesting than when an Paris-Roubaix Espoirs or Avenir winner moves on to the next level (I realise Colombians have won and routinely race Avenir). This vision of natural brilliance is significant to both of carton's scenarioes, I suggest, both the wasted brilliance one that attached itself to Ronaldo or the dilettante genius narrative that defined Romario. Secondly, our South Americans traditionally ride/play with innocence, joy, a pure naiveté: witness the stereotype of jogo bonito, or the real life comments of various Cafe de Colombia riders about how they didn't really understand tactics and just perpetually attacked in their first Giro. Betancur defines this innocence, at first with his attacking and now with his fatness.
(DISCLAIMER: the sweeping statements above are not my own views, they are an attempt to capture a predominant narrative.)
gospina said:Brilliant comment. You are absolutely right about the comedy that is life. It reminds me of this guy I used to play soccer with. He came into our HS team far into the season and was overweight. He sometimes didn't try in practice. Coach will get on him all the time. The thing was, he was amazing. He scored a hat trick in one game, had an amazing pass from midfield in another, did a dribbling exhibition pretty much all the time...he was faster than all of us..but he was lazy/had a different mindset on the team. One game, he literally dribbled through the whole team, was one on one vs the goalie...and then stopped right in the middle of his attack to TIE HIS SHOE!. He was Carlitos. He got kicked out of the team that day..no more school games for him...he destroyed us in indoor/spring club league once he joined another team....fkng Carlitos is just like La Ronca. Love to watch him as a fan but, man, it must be frustrating to be his teammate/manager LOLcarton said:There are 89 pages on here about a guy whose biggest results are a Paris-Nice win and a Giro 6th place. For comparison the threads for Thibaut Pinot and Ilnur Zakarin run for 19 pages and 9 pages, respectively. Fat jokes account for about 95% of the Pythagorean difference.CheckMyPecs said:Joke starting to get old... He's fat, we get it.
Carlos Betancur is the fat cyclist. For some he's the modern epicurean antagonist of the hackneyed romantic concept of cyclists as hard men aesthetes who stopped at nothing in their relentless pursuit glory, prisoners of the road but masters of their own fate. In that view he has all the exogenous talent but lacks any of the endogenous will. Some of these folk believe they could be better racers than Betancur, but lacked the god-given talent: Betancur is thus the human embodiment of the tragedy that is life.
For others Betancur symbolizes the return of the hackneyed romantic concept of cyclists as literal larger than life bon vivants, moody characters who ate full meals washed down with beer and wine between Tour de France stages; who stopped for coffee amidst Milan-San Remo. His image harkens back to those sepia tinted days where passion and flair were more important than watts/kg. Many of them believe they cycle just like Betancur, but lack the god-given talent: Betancur is thus the human embodiment of the comedy that is life.
In any case given that the fat jokes have only gotten better three years in, I wouldn't hold my breath.
When I first skimmed your post, I only read the middle, and I thought initially you were writing about Romario. Thinking about this reminded me of the number 9 Ronaldo, and of Ronaldinho, and Kaka, who Tonton mentioned earlier, and thus to a point I suggest should be added to carton's remarkably good post. The parallels between Brazillian footballers and Colombian cyclists have been laid out many times; they are both (perceived as, obviously) otherwordly, exotic (but just familiar enough that they're not alienating - the names are Spanish/Portugese, after all), magical at the more ethereal and aesthetic elements of the sport (climbing and playmaker/forward), amusingly incompetent at the more grounded, gritty, physical aspects (TTing/cobbles, defending/goalkeeping - and it's a testament to the power of this myth that twenty years of bulky and dirty defensive midfielders from Dunga to Fernando, including one of the most conservative and defensive World Cup-winning teams of all time, have done very little to shake it), brought up in an environment that breeds talent (the Andes, street football), and innocent. It's those last two points I think are most significant in this context. Firstly, the view of all Colombians as brilliant pocket climbers is the one real counterweight to the prevailing narrative of cycling these days, which is one of suffering; while everyone else is a 'hard man aesthete', as carton so elegantly puts it, the Colombians descend from their exotic peaks with pure natural talent. The response of the forum to an European pro who showed immense talent but didn't keep in shape would be a collective grunt: being professional and working hard is part of being a cyclist these days, and if you can't do that it's inevitable that you'll fade away. But Betancur is granted indulgence; part of the reason for this, I suspect, is that no one follows Colombian domestic cycling, so when their riders come and shine brightly in the European scene it's more explosive and interesting than when an Paris-Roubaix Espoirs or Avenir winner moves on to the next level (I realise Colombians have won and routinely race Avenir). This vision of natural brilliance is significant to both of carton's scenarioes, I suggest, both the wasted brilliance one that attached itself to Ronaldo or the dilettante genius narrative that defined Romario. Secondly, our South Americans traditionally ride/play with innocence, joy, a pure naiveté: witness the stereotype of jogo bonito, or the real life comments of various Cafe de Colombia riders about how they didn't really understand tactics and just perpetually attacked in their first Giro. Betancur defines this innocence, at first with his attacking and now with his fatness.
(DISCLAIMER: the sweeping statements above are not my own views, they are an attempt to capture a predominant narrative.)