We can see it from an ugly USPS standpoint or just from any other standpoint.
Let me do it as neutral observer (since the "Sky dopes better than the rest" was/is discussed at length already):
Sky is no more suspicious than all the other (big) teams.
Sky is doing the same as LIQ did at the Giro, only with more success since they have the better riders.
Wiggins, tough very suspicious had his transformation at "GAR the clean team". Not at Sky. BTW, for me Wiggins is the most doubtful on this squad.
Froome is no more suspicious with his performance jumps (given the age and progression) than the likes of Sastre, Evans, De Gendt or AC, to name a few (for further details, see my "Froome talk only" thread comments).
Henao was talked a lot about being the next big thing.
Uran was already very good before.
Rogers:
(Evans the "good guy" as comparison)
at age 23; 42nd GT (----)
24; 22nd (----)
25; 41st (14th)
26; 10th (----)
27; ----- (60th)
28; ----- (8th)
29; 8th (5th)
30; 37th (2nd)
31; ----- (2nd)
32; 23rd (3rd)
So if anything, Rogers soon should start to win GT´s. Same injury problems, same shady teams before, same shady DSes before, same TT-Talent as Cadel Evans.
Knees had his GT talent shown before (29th-2008, 20th-2009 at the TdF). The same is true w/
Sivtsov.
B-Hagen is one of the best all around talents out there. Showed great ITT and sprint talent very early.
Porte was GT-Top-10 before, then missused by Rijs for one year and now back again. Yes, yes, i hear you. If not in the big break, no T-10. But i guess a T-20 was highly possible. He could go every tempo in that giro outside of the LIQ guys in all stages
after the break.
Conclusion: It´s not that Sky invested big money in some obscure also-ran´s, but in guys who actually could do the train up the mountains like we see now.
Sky (outside of Wiggins*) is no more suspicious than any other team, if seen from a neutral standpoint.
* you guys may can write a PM to JV and ask how the transformation of Wiggins was done. I don´t care, since Froome will take over from now on.
