For context of Woods comments, in relation to watching Icarus and Sammy Sanchez getting popped.
I speak to Joe Dombrowski and Michael Woods of Cannondale-Drapac, both sporting severe Grand Tour haircuts. ‘We went to the same place today,’ says Joe. Woods, who always seems to be restless, and bursting with curiosity, suddenly asks, ‘Hey, have you watched Icarus?’
He’s talking about the documentary, just out, that reveals the scale of Russia’s state-organised doping programme. His thoughts on it are interesting. The film actually began as an attempt by the film-maker, a keen amateur cyclist, to follow a hardcore doping programme to compete in a multi-day sportive in the Alps. The assumption often, when it comes to cycling, seems to be that doping explains everything: that there is no performance ceiling for someone prepared to dope. Which ignores lots of other things that go into a performance, such as talent. Like a lot of people, Woods found that aspect, and the assumptions behind it, irritating but, overall, he found the film fascinating and shocking on a whole new level. ‘Basically,’ he says, ‘if you were Russian, you doped.’
‘But some people think that about professional cyclists – they would say that of all the riders doing the Vuelta,’ I say.
Woods and Dombrowski look dismayed at that. One big story on the eve of the race is a positive test for the 2008 Olympic road race champion, Samuel Sanchez. He’s the biggest name snared in quite some time. Woods is disgusted.
‘You know, they talk about Spain’s golden generation: Valverde, Contador, Sanchez. Valverde busted in Operation Puerto, Contador had a positive test, and now Sanchez. Golden generation? You know, I wish these guys would just disappear.’
Later, Contador, soon to retire, is introduced on stage. A short film is played, a tribute to his career. We’re in France, so Warren Barguil gets the biggest cheer, but for Contador, ahead of his farewell tour, there is warm, heartfelt appreciation. To speak ill of Contador over the next three weeks will be tantamount to blasphemy. As Woods says, 'it’s remarkable, really'.