This was from the Huffington Post's comment section in response to the story about the FBI getting involved with the TH, LA issue.
The book and movie, Freakonomi*cs, includes a segment about historical cheating in a sport that is shrouded in tradition, mystery, ritual, and cultural assumption*s about its high-stake*s standards of fair play, honesty, and honor.
Economist Steven Levitt calculated the scores from thousands of matches and discovered an underlying pattern that showed stratified*, systemic cheating in the higher echelons of sumo wrestling in Japan, a system of cheating so deeply embedded that it had become an economy that the entire sport depended on... up and down the food chain of payoffs... even though the cheating took place at a very specific and high level of involvemen*t.
The revelation moved wrestlers to talk, and when they did, people mysterious*ly died under the oddest circumstan*ces. The public, media. police, and institutio*nal stakeholde*rs closed ranks around the sport and simply would not entertain the thought that their hallowed national past time was in fact riddled with corruption*.
The same kind of pushback we hear from Armstrong apologists about envious and angry athletes making stuff up was the core defense of sumo wrestling in Japan, but there finally came an event that grabbed and shook the public by the brainstem, when a young, wrestling acolyte in training was found gruesomely beaten to death.
It was at first quietly covered up by the police, press, and wrestling establishm*ent, all of whom arrived at natural cause as their explanatio*n, until one rogue cop couldn't stand it anymore, and he convinced the family to have an autopsy done.
The release of the gruesome photos and documentat*ion (as we've seen in recent political cases) finally cracked the veneer of honor wide open, and sumo wrestling now stands at a crossroads*, whether it's going to rehabilita*te itself or go the way of WWE in America, which was forced to exchange its F (for Federation*) for and E (for Entertainm*ent), and become a farcical show now clearly branded as light entertainm*ent.